Ring-shaped sweet taralli from the Basilicata town of Avigliano, boiled first and then baked to a dry, friable crumb and coated in a snow-white, anise-scented sugar fondant. Known as the 'bride's biscuits', they were handed to wedding guests in place of favours and are eaten above all at Easter.
Taralli di Avigliano, in dialect 'lu mustazzuol cù r' zuccr', are the glazed sweet taralli of Avigliano, a town in the province of Potenza in Basilicata. Ring-shaped and cloaked in a snow-white sugar fondant scented with anise, they are known as the 'bride's biscuits': through the nineteenth century and into the early twentieth, well-off families handed them to wedding guests in place of favours, and their dove-white colour tied them to Easter, when they are still eaten most. Their making was a female rite presided over by the mstazzulara, the household's most experienced sweet-maker, who was paid to prepare them in the couple's home and guarded her recipe closely. They are marked by a double cooking, boiled first, dried, then baked, and by the marble-worked fondant, and stand distinct from the region's savoury scaldatelli, the fennel-seeded, figure-of-eight, twice-cooked taralli.
Crisp and dry at the first bite, then crumbling to a light, sandy shortness that dissolves rather than chews. The glaze cracks into a thin sweet shell, and behind the sugar runs a clear thread of anise, with a faint richness from the eggs and oil.
The brief boil gelatinises the starch at the surface and sets a smooth skin, so the rings hold their shape and bake to a compact, even crumb rather than puffing. Baker's ammonia leavens them: when heated, it breaks down entirely into gases that escape the low-moisture dough, leaving countless tiny voids and no residual salt, which gives the dry, friable shortness. The long drying drives off surface moisture so the oven crisps the rings rather than steaming them. The fondant is sugar syrup cooked to concentration and then agitated as it cools on cold marble, which forces the sucrose into a mass of microscopic crystals; these are too small to feel and scatter light, so the glaze sets smooth, opaque and snow-white.
Variations
The traditional wedding tarallo was made very large, up to 400g each, and given whole; smaller rings are more common today. The anise may come from the seeds or a splash of anise liqueur, and some scent the fondant with lemon as well. A drier, longer-keeping version is also made. The sweet Avigliano ring stands apart from the region's savoury taralli, the scaldatelli, seasoned with fennel seed, shaped in a figure-of-eight and twice-cooked.
On the Palate
Where Taralli di Avigliano sits in the Italian flavor cloud
Ingredients
Serves 8How it's made
7 steps · 30 min
- 120 min
Whip the eggs with a pinch of salt until pale and foamy. Sift the flour with the baker's ammonia, then work it into the eggs with the oil and anise liqueur to a smooth, firm dough.
- 220 min
Divide the dough into portions of about 100g. Roll each into a rope and join the ends into a ring, pressing the seam closed.
- 320 min
Bring a wide pan of water to a bare simmer, around 80°C. Slip in the rings a few at a time and cook until they float and firm, about 15 minutes, then lift them out with a slotted spoon.
Watch outKeep the poaching water at a bare simmer, around 80°C, and lift each ring once it floats — a hard boil tears them apart.
- 4480 min
Lay the rings on a clean cloth and leave to dry, several hours and traditionally a full day, until the surface is dry to the touch.
Watch outDry the rings until the surface is dry to the touch, hours or a full day — bake them damp and they steam soft instead of crisping.
- 545 min
Score each ring deeply around its circumference. Bake hot, around 230°C, for 15 minutes, then lower to 180°C and bake until pale gold and dry through, 25 to 30 minutes.
- 660 min
Let the taralli cool completely, so the fondant will set cleanly on them.
- 725 min
Cook the sugar with the water to a thick syrup, then work it on cold marble with a spatula until it turns white and creamy. Warm it back to a coating fluidity, dip each tarallo, and leave the glaze to set to a smooth, snow-white shell.
Watch outWork the sugar syrup on cold marble until it turns white and creamy, then rewarm to a coating fluidity — too hot and it slides off clear.
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