Maccheroni alla chitarra are the signature pasta of Abruzzo, attributed to the chitarra wire-cutter built by sieve-makers in San Martino sulla Marrucina (Chieti province) around 1860, after steel wire was introduced from Germany — though the dish itself (square-section pasta) goes back further. The 'guitar' has parallel steel wires stretched over a wooden frame; rolled pasta sheet placed on top and pressed with a rolling pin falls through as squared strands. The shape is functional: square edges hold ragù better than round (more surface area). The canonical sauce is ragù di castrato e maiale (mutton + pork shoulder) braised 4 hours with tomato, white wine, and rosemary — a mountain ragù from the same pastoral kitchen that produced arrosticini.
A square-section strand of chitarra pasta has visibly different geometry from spaghetti — you can see the corners. The bite is more substantial than round pasta; the texture is firmer (less flour mass relative to surface), and the ragù clings to the corners. The lamb-pork mix gives a meatier ragù than either alone — pork supplies fat and umami, mutton supplies depth. Three hours of low simmer means the meat is shredded-tender, not chunky. Pecorino on top is sharp-salty and ties everything to the Abruzzo highlands where the cheese was made.
The 2mm-square cross-section has 33% more surface area than a 2mm-diameter round strand, so each gram of pasta carries more sauce. The squared corners also catch and hold sauce mechanically. Egg-rich dough (4.5 eggs per 400g flour) means the cooked pasta is springy-elastic rather than starchy-soft — the eggs supply protein structure. Slow 3-hour braise breaks down lamb collagen completely (collagen is harder to dissolve than pork connective tissue), which is why mutton in a quick ragù tastes tough.
Variations
Chieti canonical uses castrato + pork; Teramo variant adds chicken livers to the ragù; modern Pescara restaurants serve a fish ragù version with shrimp and zucchini in summer; the home shortcut uses store-bought tagliatelle (wrong shape, wrong texture); a vegetarian version with sugo finto ('fake ragù' with mushrooms and porcini) is popular in Aquila in autumn.
On the Palate
Where Maccheroni alla Chitarra sits in the Italian flavor cloud
Ingredients
Serves 4How it's made
5 steps · 1 hour active + 30 min waiting
- 142 min
Make pasta: in a heaped pile of 400g 00 flour, crack 4 whole eggs + 1 yolk; pinch of salt. Mix with a fork from the center, drawing flour in until a shaggy dough forms. Knead 10 min until smooth and elastic. Wrap; rest 30 min.
Watch outKnead until the dough is smooth and springs back when pressed; a shaggy or sticky dough hasn't developed enough gluten.
- 213 min
Make ragù: dice 200g pork shoulder + 200g mutton (or lamb) shoulder into 1cm cubes. In a heavy pot, brown the meat in 3 tbsp olive oil over high heat, 8 min. Add 1 diced onion + 1 diced carrot + 1 diced celery; cook 5 min. Add 1 cup dry white wine; reduce by half. Add 600ml passata + 2 sprigs rosemary + 1 bay leaf + salt + pepper. Simmer covered on low, 3 hours, stirring occasionally.
Watch outBrown the meat hard first for color, then keep the simmer at a lazy bubble for the full three hours.
- 316 min
Roll dough: divide into 4 pieces. Pass through pasta machine progressively thinner, stopping at setting that matches your chitarra wire spacing (~2mm thick). Cut sheets to chitarra frame size (~30cm long).
- 412 min
Cut pasta on chitarra: lay sheet on top of wires, press firmly with rolling pin so dough falls through as 2mm-square strands. Toss with semolina; spread on tray. Repeat for all sheets.
Watch outPress firmly and evenly with the pin so every strand drops clean through the wires in one pass.
- 57 min
Cook pasta in heavily salted boiling water, 4 min (fresh pasta cooks fast). Drain; toss in the ragù pot with a ladle of pasta water and 50g grated pecorino. Serve in deep bowls with extra pecorino on top.
Archive tool suggestions — not reviewed
These legacy suggestions have not been evidence-reviewed and are not presented as required tools.

A hand-cranked roller-and-cutter unit, clamped to the table edge: rollers (set 1-9 for thickness) flatten dough into a sheet, then a swappable cutting attachment slices it into tagliatelle, fettuccine, or spaghetti. A motor attachment can replace the hand crank. The Atlas 150 (Marcato, Italy) is the canonical home version — same design since 1930, repairable, indestructible.

Cylindrical wooden, marble, or silicone roller for flattening dough — pie crust, pasta, dumpling skins, naan, tortilla, pizza. French-style is tapered (no handles, the cook holds the wood itself); American-style has fixed handles with rotating barrel; marble pins stay cool for laminated doughs (croissant, puff pastry). The right pin depends on the dough's stickiness and lamination needs.






